![]() Working again with LiPuma and the same band, including Jorge Dalto on keyboards and Phil Upchurch on rhythm guitar, with Verve Records veteran Claus Ogerman adding subtle and seductive string arrangements, it is lush, orchestral and smooth. In Flight is, to all intents and purposes, the same album as Breezin’. As a result, 1977’s In Flight had four vocal performances and just two instrumentals – the highest vocal quotient of any Benson release to date. A beautifully plaintive voice was revealed on that record, almost on par with Stevie Wonder and Donny Hathaway.īreezin’ became a surprise No.1 album in the US, and Warner Bros. and teaming up with veteran producer Tommy LiPuma, Benson’s reading of Leon Russell’s This Masquerade reintroduced his audience to his vocal prowess, which had been somewhat underused to date. His 1976 album, Breezin’, changed all that. His string of recordings for Verve and Creed Taylor’s CTI earned him a place in the hearts of many aficionados. With his Wes Montgomery-style improvisations and unmistakable sound, Benson became one of the most respected and inventive jazz guitarists. A former child prodigy, Benson had been recording consistently since the early 60s, breaking through by playing with organist " Brother" Jack McDuff. In Flight was the first time the UK public really became aware of George Benson.
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